Style choices
Disappointed - parallelism, repetition
Unwilling to adapt, feels patronised, sarcasm (learning the language)
Anecdote - symbolic of a wider issue
Sees request for ID as disrespectful - lack of trust for immigrants
Shopkeepers are also immigrants - they are two groups of immigrants against each other, adds to the pressure of simulation
They weren't questioned in their home country - loss of status
Triplet - "dust, sweat and gasoline" - manual labour, brutal
"Widower" - love for his home, something missing, simile, analogy, figurative, bereavement
Wednesday, 20 January 2016
Attitudes and style choices in The Reluctant Fundamentalist
Attitudes
Page 3 - Changez describes Princeton as a "dream come true"
Page 82 - Changez is in a hotel but he is not being treated differently to anyone else, unlike he normally is
Page 62 - 63 - Changez is having a conversation with Erica's father
Page 4 - System to choose candidates
Page 77 - Changez is looking into the Philippino man's car and feels more like him than the people he is in the car with
Style choices
Page 3 - "This is a dream come true", "Everything was possible" - he is making assumptions and preconceptions of Princeton, something which is common with immigration
Page 82 - "Cloaked by his suit", "Invisible" - he is confused as this is probably the first time he has not felt like an outsider.
Page 3 - Changez describes Princeton as a "dream come true"
Page 82 - Changez is in a hotel but he is not being treated differently to anyone else, unlike he normally is
Page 62 - 63 - Changez is having a conversation with Erica's father
Page 4 - System to choose candidates
Page 77 - Changez is looking into the Philippino man's car and feels more like him than the people he is in the car with
Style choices
Page 3 - "This is a dream come true", "Everything was possible" - he is making assumptions and preconceptions of Princeton, something which is common with immigration
Page 82 - "Cloaked by his suit", "Invisible" - he is confused as this is probably the first time he has not felt like an outsider.
Tuesday, 19 January 2016
Goblin Market
- List of exotic, unusual fruit - list emphasises passion of the goblins
- Encouraging attitudes
- Dimeter - strong, hypnotic rhythm
- Similar to a magic spell
- Aiming their list at the maids (at the time maids were young, virgin women)
- Sensuous figurative language
- The sisters contrast each other
- Laura - more adventurous and tempted by the list
- Lizzie - frightened
- Idea of temptation
- Boundary - something is forbidden
- Limitations of women are explored
- Tension all throughout the poem
- Goblin's are animalistic - not at all human
- "Come buy, come buy" - attraction of the forbidden
- Laura - romantic poetry - literary, natural similes and metaphors
- Described like a ship being launched - got rid of restraints
- Attempting to find freedom
- Gives in to temptation, enthused in it
- Rhyme, rhythm and repetition - enthusiasm
- Uses hair to buy fruit - magically valuable (wore jewellery with hair on it at the time)
- "Golden curl" - tension and fear giving them power
- Gives the goblins control over her
- Contrast between the two locations - the Glen and their home
- Lizzie warns Laura - tells her a narrative story about a girl
- Sense of an addiction
- Description of domestic setting - no men or parents
- Females supporting each other
- Listing of similes - detailed and figurative (sisters together)
- Draws the reader closer to them
- List of duties - iambic tetrameter - slower than dimeter
- Large contrast between duties and fruits
- Return to the Glen - Laura can't hear goblins cry anymore
- Increases the conflict
- Description of Laura's decline - heading towards death
- Description of the goblins joy - mischevious and evil
- List of how they act - dimeter, strong rhythm
- Lizzie wants to help her sister - obstacles and limitations
- Distressing, violent and intrusive attack - Lizzie laughs as she sees how she can help Laura
- Climax of the poem - confrontation between good and evil
- Erotic desciption of the sisters - transgressive
- Controversial at the time
- Not intended to be sexual - motive to cure her sister
- Saves Laura
- Repetitive and rhythmic ending - shows purpose of the poem
- Dedicated to her sister
- Ambiguous poem
- An analogy - sexual temptation?**
- Fruit = symbol of sex?**
- **Parallel with the bible
- Similar to the "Eve of St Isles"(???)
- Rape? Possibly warning against male sexual appetite
- Influenced by fairytales, folktales and dreams
- Lizzie is Christ-like
- Drug addiction - opium was a problem at the time
- Rossetti worked with women with problems
- About sisterhood
Saturday, 2 January 2016
Twice
- Heart is symbolic and valuable - she is offering her life to someone
- Parallelism of 1st lines of the 1st and 2nd stanza highlights the change in possession
- Use of imperatives in the first stanza
- The use of brackets represents an aside (thought process)
- "Yet a woman's words are weak" - alliteration - "w" is a very soft and weak sounding letter which emphasises the weakness of the woman's words
- The heart is compared to fruit - it is unripe
- "Better wait awhile" - vague and unconvincing
- Trochee emphasise the caesura in the 3rd stanza "...broke - Broke"
- Switches to present tense halfway through the 3rd stanza
- The male in the poem is rejecting the female compared to No, Thank You John where it is the other way around
- The structure of the 1st half of the poem is mirrored in the second half
- References to judgement day
- "Yea, judge me now" - confident tone
- "O my God, O my God" - said aloud unlike "O my love"
- Judgement is a biblical illusion
- Fire to purge sins - suffering is needed
- "I shall not die but live" - self belief - declarative and confident
- "All that I have I bring...I give" - determination to live for God and parallelism is similar to that of a hymn or prayer
- "But shall not question much" - won't question anything from God
Maude Clare
Maude Clare -
- Narrative poetry
- Narrative is a wedding day
- Themes of love and loss
- The two main characters do not love each other as much as the characters in In the Round Tower at Jhansi
- Final stanza - character is mocking
- Lofty step - sense of self confidence
- The poem begins in media res - middle of a situation - making it tense and suspenseful
- Introduction to two female characters in the first stanza - the similes used to describe them highlight the vast differene between them (a "village maid" and a "queen")
- The second stanza begins with dialogue - more common in a drama or play rather than a poem
- The 3rd stanza is ambiguous and has a formal tone to it - it also foreshadows what is to comein the marriage
- "My lord was pale" - 1st person narrative
- Repetition of pale - characters are pale for different reasons - inward strife vs pride but it is not made clear why Maude Clare is pale
- 5th stanza - sarcastic and angry tone
- "We waded ankle deep for lilies in the beck"- euphemistic of sex and fertility - ruined their reputation
- Only women wore a ring when married - symbol of possession in the Victorian era
- Nell may or may not know about the affair - evoke sympathy
- The father is barely mentioned - he is not given a voice or presence - disempowered male figures are a prevalent theme in Rossetti's poetry
- ABCB rhyme scheme deviates from typical ballad rhyme scheme - unusual
- "Faded leaves = dead love
- 7th stanza has sexual connotations throughout - "The lilies are budding now" - possible suggestion of pregnancy
- 8th stanza emphasises Rossetti's view of the male characters in the poem - he is faltered in his place and his speech appears nervous and uneasy - represented by the hyphens
- "My Lady Nell" - Maude Clare wanted her title - posessive
- Maude Clare presents them with a sarcastic gift
- 1st dialogue from Nell in the penultimate stanza
- The main male character in the poem is fickle, untrustworthy and an adulterer - a very negative portrayal
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